For its New York City Spring Viewing this year, Hemmerle pays homage to the piece that transformed the Munich-based jewellery experts contemporary visual we know today. In 1995, an unique commision for a ring by a family buddy, that prefered Berlin iron to priceless jewels, influenced Stefan Hemmerle to set a diamond not in gold or platinum yet in his close friend’s precious iron. The striking result of a brilliant white ruby starkly set within a black iron placing would certainly end up being the springboard for future Hemmerle jewels. Greater than twenty years later on, Hemmerle continues its brazen conducting in the world of contemporary precious jewellery style.
This spring, the mix of black iron and white diamonds bursts back to the here and now in several items of Hemmerle’s latest pieces, consisting of a set of dynamite jewellery, in which a set of old European cut diamonds scintillates within a halo of sea urchin spines of iron. There is likewise a broad iron and ruby band ring, the dark matte surface area juxtaposed by tiny home windows set with cushion-cut diamonds that appear to float within their structures. This research of comparison, of light and also dark, shine as well as shade, texture and also flatness, is additional discovered in a bangle bracelet made up of bands of iron rotating with areas of reverse-set rubies.
Though celebrated for its vibrantly tinted gems items, Hemmerle similarly succeeds in fashion jewellery of an extra austere palate. Black, white and earthen tones exude the very same radiance as Hemmerle’s even more colourful creations, mainly owing to the elegant consistency in pairing valuable gems within a complimentary coloured steel setting. Such subtly balanced accord is accomplished by a pair of melo pearl jewellery, the uncommon gem’s vacillating shades of orange and also peach paired flawlessly with their copper structures and tops. Simply as rustic in tone is a pair of diamond jewellery, the largeness of the rocks deftly masked by their appealing spiky setups.